MAILTO(1)MAILTO(1)NAMEmailto - Simple multimedia mail sending program
SYNOPSISmailto [-a] [-c] [-s] [recipient name(s)]
DESCRIPTION
The mailto program is a very simple user interface for sending multime‐
dia mail in MIME format, the proposed standard format for multimedia
Internet mail. It is modelled very heavily on the Berkeley "mail" pro‐
gram. However it shares NO code with that program -- it is a com‐
pletely new implementation.
As its name implies, mailto is for sending mail, not for reading it.
None of the mail-reading features of the Berkeley mail program have
been implemented in mailto.
Users who are already familiar with using the Berkeley mail command to
send mail should skip the following section, which explains things that
are already familiar to you from that program. Subsequent sections
focus on the enhanced features that make this program different than
Berkeley mail, notably the ability to include rich text, multimedia
objects, and text in non-ASCII languages such as Hebrew or Russian.
BASIC USE
[THIS SECTION MAY BE SAFELY SKIPPED BY READERS ALREADY FAMILIAR WITH
THE BERKELEY MAIL PROGRAM.]
The basic operation of mailto is very simple. If you just type
"mailto" you will be asked for a list of mail recipients ("To:") a mail
subject ("Subject:") and possibly a list of people to receive a carbon
copy of your message ("CC:"). Alternately, you can specify all of
these things on the command line. The "-s" option be used to specify
the subject, and the "-c" option can be used to specify the carbon copy
address. All other command line arguments are added to the To list.
Thus the following command sends mail to nsb and jxr, with a subject of
"Test message" and a carbon copy to kraut:
mailto nsb jxr -s "Test message" -c kraut
For the convenience of users accustomed to mail readers in which names
are separated by commas, you may optionally follow each address with a
comma, but this is not required.
After these preliminaries are taken care of, you just type in the con‐
tents of your message. Everything you type will be included in your
message UNLESS you type a line that begins with the "~" (tilde) charac‐
ter. Such a line is known as a TILDE ESCAPE, and can be used to give
special commands to the mailto program, as will be discussed shortly.
When you are done composing your message, you can cause it to be sent
to the intended recipients by simply typing the end-of-file character,
typically CONTROL-D. Depending on your option settings, you may also
be able to send the mail by typing "." alone on a line, or by typing
"~.".
That's all that you really need to know in order to send mail with
mailto. However, in order to use it to its fullest, you will also want
to learn about some of the tilde escapes. In this section, we describe
the most basic ones, which the mailto program shares in common with the
Berkeley mail program. In subsequent sections, we will describe the
more interesting tilde escapes which are unique to mailto.
If anything in this section seems cryptic, it might be helpful to con‐
sult the man page for the mail(1) program, since the user interfaces
are very similar.
Any line that starts with a tilde is a tilde escape. The second char‐
acter on the line -- the one that follows the tilde -- is then inter‐
preted as a special command to the mailto program. The simple tilde
escapes that mailto and mail have in common are as follows:
~? Show help on tilde escapes
~! Shell escape (e.g. "~! ls")
~~ Enter text line starting with a tilde. The tilde
"quotes" itself, allowing you to input a line of
text that starts with a tilde.
~. Send the mail and exit
~c Add to CC list (e.g. "~c nsb")
~d Read in the contents of "~/dead.letter"
(or a named file, "~d filename")
~e Edit the message being composed using the
editor named by the EDITOR environment variable.
~h Edit the To, Subject, and CC headers
~p Print out the message so far
~q Quit, copying the draft to ~/dead.letter
~r Read the named text file into the message
~s Reset the subject header
~t Add to the To list
~v Edit the message being composed using the
editor named by the VISUAL environment variable
~w Write the message being composed to a named file
(e.g. "~w filename")
You can also control the behavior of the mailto program to a limited
extent by putting commands in a file in your home directory called
".mailrc". These commands include the ability to define aliases for
commonly used mail addresses. See the section entitled "SUMMARY OF
MAILRC FUNCTIONALITY" later in this man page.
ENHANCED FEATURES NOT FOUND IN BERKELEY MAIL
The main difference between mail and mailto is that the latter can be
used to generate enhanced mail in MIME format, the proposed standard
format for Internet multimedia mail. However, mailto is intended to be
a very simple multimedia mail generator. There are, accordingly, lots
of things it can't do. However, it has the virtues of being extremely
simple, extremely similar to a well-known program (mail), and highly
configurable, using the "mailcap" file mechanism to be described below.
Basically, mailto can include the following things in mail:
1. Simple formatted text, using the MIME type "text/richtext". This
allows you to add emphasis to your message using underlining, bold
text, italic (diaplsyed as reverse video), centering, and the like.
2. Non-text data. Metamail can include pictures, sounds, and other
non-textual data in the middle of any mail message. The mailcap con‐
figuration mechanism can even make this process reasonably user-
friendly, but a knowledgable user can include non-textual data even in
the absence of a proper mailcap entry.
3. Text including non-ASCII characters, such as Hebrew or Russian.
Currently, mailto directly supports only the ISO-8859-* family of char‐
acter sets, which means that it does not meet the needs of Asian users,
in particular. However, languages that can not be expressed in the
ISO-8859 family can still be included in the same way non-text data can
be included.
These three mechanisms will be discussed separately in the three sec‐
tions that follow.
ENRICHED TEXT
Mailto lets you modify the formatting of your text in a few simple but
useful ways. As with everything else, this can be done using simple
tilde escapes, as described by the following list:
~b Toggle bold mode (turn bold on or off)
~i Toggle italic mode (turn italic/reverse-video on or off)
~j Alter Justification, in particular:
~jc Center subsequent text
~jl Make subsequent text flush-left
~jr Make subsequent text flush-right
~k Toggles whether or not a "blind" copy of the message will be
kept.
~n Force newline (hard line break)
~u Toggle underline mode (turn underline on or off)
~> Indent Left Margin
~< Unindent Left Margin
~<R Indent Right Margin
~>R Unindent Right Margin
~Q Toggle quotation (excerpt) mode
~z Add the contents of ~/.signature as a TEXT signature
Some of these may require a little explanation. Bold, italic, and
underline modes are toggles in the sense that alternate uses of ~b, ~i,
and ~u turn bold, italic, or underline mode on or off. The justifica‐
tion, on the other hand, simply switches between the three justifica‐
tion modes, centering, left justified, and right justified.
To understand the "~n" command, it must first be noted that rich text
is automatically justified, so that the line breaks you type have no
more significance than space characters. This allows the text to be
displayed more nicely on variable-width windows. (An exception is when
you type multiple blank lines, in which case the line breaks become
real.) The "~n" command may be used to foce a line break. Remember
that you can see what your mail looks like at any time using the "~p"
command.
Quotation mode, as toggled by "~Q", is useful for formatting excerpts.
If, for example, you turn on quotation mode, insert a file, and then
turn off quotation mode, the contents of the file will be considered an
excerpt. Most viewers will show excerpts as indented and/or preceded
with "> " to set them apart from the rest of the text.
Finally, "~z" simply includes your text signature file, but formats it
as a "signature", which many richtext viewers will display in a smaller
font or otherwise set it off from the rest of your message.
MULTIMEDIA OBJECT INCLUSION
The basic command for inserting multimedia objects in a mailto message
is "~*". When you type this command, you will be give a list of
options that will vary depending on your configuration. (How to con‐
figure this list will be described below.) For example, it might look
something like this:
Please choose which kind of data you wish to insert:
0: A raw file, possibly binary, of no particular data type.
1: Raw data from a file, with you specifying the content-type by hand.
1: An audio clip
2: Data in 'application/andrew-inset' format
3: An X11 window image dump
4: An interactive mail-based survey
Of these options, only the first two, options 0 and 1, will appear at
all sites and in all configurations.
If you choose options 0 or 1, you will be asked for the name of a file
containing data you wish to include. (If you enter something that
starts with "|", you are including the output of a command rather than
the contents of a file.) If you choose option 1, you will also be
asked for the correct "content-type" name that describes that type of
data. The content-type values are defined by the MIME standard, and
are typically type/subtype pairs that describe the general data type
and its specific format. For example, a picture in GIF format has a
content-type of "image/gif", and an audio clip in basic u-law format
has a content-type of "audio/basic". For option 0, the type "applica‐
tion/octet-stream" will be used. For complete documentation on the
content-type field, consult the MIME proposed standard, RFC 1341.
More commonly, however, at a well-configured site you will not need to
know anything about content-types, because you will choose one of the
non-zero options. In these cases, a program will run that will allow
you to compose data of the given type. The user interface to this
process cannot be described here, because it will necessarily be site-
dependent, but such programs are generally designed to be easy for
novice users.
An extra mailto command that is useful for including multimedia objects
is the "~Z" command. This can be used to include a multimedia signa‐
ture file. The signature file should be a complete MIME-format file,
with a Content-type header field at the top.
CONFIGURATION VIA MAILCAP FILES
NOTE: This section is intended for those who are interested in extend‐
ing the behavior of mailto to easily include new types of mail. Users
at well-administered sites are unlikely to need to do this very often,
as the site administrator will have done it for you.
For a more complete explanation of the mailcap mechanism, consult the
man page for metamail(1). Here we summarize only those aspects of
mailcap files that are relevant to configuring the mailto program.
First of all, mailto uses a search path to find the mailcap file(s) to
consult. Unlike many path searches, mailto will always read all the
mailcap files on its path. That is, it will keep reading mailcap files
until it runs out of them, collecting mailcap entries. The default
search path is equivalent to
$HOME/.mailcap:/etc/mailcap:/usr/etc/mailcap:/usr/local/etc/mailcap
It can be overridden by setting the MAILCAPS environment variable.
Note: mailto does not actually interpret environment variables such as
$HOME or the "~" syntax in this path search.
The syntax of a mailcap file is quite simple, at least compared to
termcap files. Any line that starts with "#" is a comment. Blank
lines are ignored. Otherwise, each line defines a single mailcap entry
for a single content type. Long lines may be continued by ending them
with a backslash character, \.
Each individual mailcap entry consists of a content-type specification,
a command to be executed on reading, typically by the metamail(1) pro‐
gram, and (possibly) a set of optional "flag" values. The mailto pro‐
gram is only interested in mailcap entries that have either or both of
the optional "compose" or "composetyped" or "edit" flags. The compose
flag is used to tell mailto about a program that can be used to compose
data in the given format, while the edit flag can be used to tell
mailto how to edit data in the given format. Thus, for example the
following mailcap entry describes how to compose and edit audio data:
audio/basic; showaudio %s; compose=audiocompose %s; edit=audiocompose
%s; description="An audio clip"
The "composetyped" flag is just like compose, except that its output is
assumed to be in MIME format, including at least a content-type and
also, if necessary, a content-transfer-encoding header field. Compose‐
typed is necessary if variable information needs to be conveyed via
parameters in the content-type field.
The optional "description" field is used in composing the prompt that
mailto prints in response to the "~*" command. The compose program is
used to compose data in this format, and the edit program is used to
edit data in this format. In each of these, any occurrence of "%s"
will be replaced by the name of the file to be composed or edited. If
there is no "%s" in the compose command, it is equivalent to having ">
%s" appended to the end of the compose command.
Note that the order in which things appear in mailcap files is highly
critical. The metamail program uses the first matching mailcap entry
to display data. Mailto, on the other hand, offers the user an alter‐
native for every mailcap entry that has a "compose" command. However,
it should be noted that mailto will use the content-type from the mail‐
cap entry in composing content-type headers. Therefore, compose and
edit commands should NOT be specified on wildcard mailcap entries. If
you have a program can display lots of different subtypes, you should
probably make a separate entry for displaying and for composing the
basic types, e.g.:
image/*; showpicture %s
image/gif; showpicture %s; compose="xwd -frame | xwdtoppm | ppmtogif";
description="An X11 window image dump in GIF format"
image/x-xwd; showpicture %s; compose="xwd -frame"; description="An X11
window image dump in XWD format"
For more information on the mailcap file format and syntax, see the
metamail(1) man entry.
TEXT IN NON-ASCII LANGUAGES
Mailto provides rudimentary support for the composition of mail in non-
ASCII character sets. Currently, it supports the ISO-8859 family of
character sets. These character sets all have the nice property that
they are proper supersets of ASCII. That is, all ASCII characters are
identical in all of the ISO-8859 character sets. When you use one of
these character sets, then, you can still type all ASCII characters as
normal.
By default, however, mailto assumes that you are using the US-ASCII
character set, and will not allow the inclusion of non-ASCII charac‐
ters. To tell mailto that you are using a terminal or terminal window
that supports one of the ISO-8859 character sets, you can use the -a
switch or the MM_CHARSET environment variable. For example, typing
"mailto -a ISO-8859-8" tells mailto that your terminal understands
ISO-8859-8, the ASCII+Hebrew character set. This is what you would use
if you were on a terminal that actually understood this character set.
If you're using a window system such as X11, you'll also need to be
sure that your terminal emulator is using the right font. Thus if you
have a font named "heb6x13", you can start a compatible xterm and
mailto to send mixed English/Hebrew mail using the command "xterm -fn
heb6x13 -emailto-a iso-8859-8". In general, having an installed font
with the same name as the character set is a good idea, particularly if
you're using shownonascii(1).
Once you've got mailto started up using the right character sets, there
are two ways to enter non-ASCII characters. The first, and by far the
easiest, is to use the keys as marked, if you're on a physical terminal
that uses one of these character sets. However, if you're using a
standard ASCII keyboard, as most X11 users do, you need some other way
to enter non-ASCII characters. To permit this, mailto has an "eight
bit mode". In eight bit mode, all printable characters that you type
have the eighth bit turned on, thus turning them into non-ASCII charac‐
ters. You can enter eight bit mode using the tilde escape "~+", and
you can leave it using "~-". To see the mapping from your keyboard to
eight-bit-mode characters, just give the command "~?+".
Finally, certain languages that can be expressed in the ISO-8859 fam‐
ily, notably Hebrew and Arabic, go from right to left rather than left
to right. To ease the composition of text in these languages, mailto
has a "right to left" mode. This mode is toggled on or off using the
"~^" command. For added convenience, the right-to-left mode and eight-
bit-mode can be toggled on and off together using a single command,
"~S" (Semitic mode).
COMPLETE SUMMARY OF TILDE ESCAPES
For easy reference, here is a complete summary of the tilde escapes in
the mailto program:
~? Show help on tilde escapes
~! Shell escape
~~ Enter text line starting with a tilde
~. Send the mail and exit
~/ Set maximum size before message is split into
multiple parts
~?+ Show help on extended (eight-bit) characters
~> Indent Left Margin
~< Unindent Left Margin
~<R Indent Right Margin
~>R Unindent Right Margin
~+ Enter 8-bit mode for non-ASCII characters
~- Leave 8-bit mode (return to ASCII)
~^ Toggle
~* Add non-text data (pictures, sounds, etc.) as a new
MIME part (try it!)
~b Toggle bold mode
~c Add to CC list
~d Read from dead.letter (or named file, ~d filename)
~e Edit message being composed
~h Edit the headers
~i Toggle italic mode
~j Alter Justification (~jc = center, ~jl = flushleft,
~jr = flushright.)
~n Force newline (hard line break)
~p Print out the message so far
~q Quit, copying to dead.letter
~Q Toggle quotation (excerpt) mode
~r Read the named text file into the message
~s Reset the subject
~S Toggle Semitic mode (right-to-left AND eight-bit)
~t Add to To list
~u Toggle underline mode
~v Edit using VISUAL editor
~w Write message to named file
~z Add the contents of ~/.signature as a TEXT signature.
~Z Add the contents of ~/.SIGNATURE as a NON-TEXT
(MIME-format) signature.
SUMMARY OF MAILRC FUNCTIONALITY
The .mailrc file in your home directory is used to customize the Berke‐
ley mail program. The mailto program is sensitive to some, though not
all, of these customizations. In particular, you can use the .mailrc
file to set the following variables (via "set variablename" or "unset
variablename") that affect mailto's behavior:
askcc -- controls whether or not you are prompted for a CC list.
dot -- controls whether or not a period alone on a line
should be interpreted as terminating your mail
ignore -- controls whether or not interrupts are ignored
verbose -- controls the verbosity of output from /usr/sbin/sendmail
quiet -- controls the verbosity of output from the mailto program.
keepblind -- controls whether or not a 'blind' copy of the mail is
kept.
commasonly -- controls whether or not a space character
is interpreted as separating mail addresses. By default,
for compatibility with BSD mail, space is interpreted in this
way,
but the commasonly option makes mailto behave more like a mod‐
ern
Internet mailer in this regard.
The other functionality implemented by the .mailrc file is personal
mail aliases. If you have a friend with a long horrible mail address,
you can put a line in your .mailrc file that allows you to refer to him
by a more friendly name:
alias boygeorge George.Herbert.Walker.Bush%white-house.uucp@nsf-
relay.com
Mailto implements the alias feature in a manner that is compatible with
Berkeley mail. Moreover, it also knows how to read ".AMS_aliases"
files as used by CMU's Andrew system, so that Andrew users do not need
to maintain two different alias files in order to use both Andrew and
mailto.
OTHER KNOWN DIFFERENCES FROM BERKELEY MAIL
Although this program was modelled on Berkeley mail, its user interface
is inevitably not identical with that program. What follows is a list
of major known differences, beyond the multimedia enhancements, that
might confuse users accustomed to the Berkeley mail program:
Address separators: In Berkeley mail, addresses are separated by spa‐
ces, which is an abomination to the mail gods. For backward compati‐
bility, this also works in mailto, but right-thinking people may use
commas instead.
Newline semantics: Unlike Berkeley mail, in mailto single line breaks
are generally regarded as "soft". This means that your message may be
filled and/or justified when it is seen by the recipient. Explicit
line breaks can be added using the "~n" command. Multiple consecutive
line breaks typed by the user WILL have the desired effect. Alter‐
nately, any line that starts with a space or tab character will be pre‐
ceded by a line break.
Inclusion of dead.letter files: The "~d" command is used to include the
contents of the file "dead.letter" in the current message. Mailto's
implementation of this feature differs from Mail's in two ways: First,
the message is included as an encapsulated message rather than as plain
text. While this may sometimes be inconvenient, it allows multimedia
dead.letter files to be retrieved properly. Second, the "~d" command
in mailto can take an argument, which is the name of a file to use
instead of the default "~/dead.letter".
Incompatibilities with Sun's version: Sun Microsystems (and no doubt
many other vendors with whom the author is less familiar) have enhanced
the Berkeley mail command in several ways, a few of which are not com‐
patible with mailto. In particular, the "~b," "~i, and "~<" commands,
at least, are different in mailto than in Sun's version.
Potential for failure in ~p: In the standard Berkeley mail program, it
is inconceivable that "~p" would ever fail. In mailto, ~p works by
calling the metamail(1) program. If metamail is not on the user's
search path, ~p will not work.
Extended alias searching: The mailto program reads both the aliases in
the .mailrc file, as does Berkeley mail, and those in the .AMS_aliases
file, as used by CMU's Andrew Message System.
Altered editing behavior: The ~e and ~v commands, which are used to
edit the message being composed, will behave differently in mailto if
the mail includes non-text portions. In such cases, each part will be
edited separately, in sequence, which makes it impossble for the user
to accidentally mess up the inter-part boundaries. Moreover, if the
mailcap entry for a given data type includes an "edit" field, the user
will be given the choice of editing with the program named there or
editing with his usual (text) editor. In most cases, this will be a
choice between using a structured editor or editing the raw data
stream.
Altered behavior for large messages: Mailto delivers your message using
the splitmail(1) program. This is done so that large messages will be
split into a set of smaller parts in a MIME-compliant way, so that MIME
readers can automatically reassemble them upon receipt. By default all
messages over 100Kbytes are split, but this can be controlled using the
SPLITSIZE environment variable. See the splitmail(1) man page for more
information.
New -r command-line option The -r comand-line option is not found in
standard Berkeley mail.
SUMMARY OF OPTIONS-a <charset> -- specifies an alternate character set in use. This had
better be the one your terminal is actually using. Currently it must
be in the iso-8859 character set family.
-c name -- specifies a name for the CC field. If you want to include
multiple values, you'll need to quote the name, as in -c "name1, name2,
name3"
-r message-id -- specifies a message-id to be used in constructing an
In-Reply-To header field.
-s subject -- specifies the subject for the mail. If it includes spa‐
ces, it will need to be surrounded by double quotes as well.
ENVIRONMENT VARIABLES
MAILCAPS
This variable can be used to override the default path search
for mailcap files.
PAGER If set, this variable overrides "more" as the name of the pro‐
gram to run to paginate output from an interpreter, when pagi‐
nation has been requested.
MM_CHARSET
This variable can be used instead of the -a switch to tell
mailto that your terminal (or terminal emulator) implements a
character set other than US-ASCII.
TERM This variable tells mailto what your terminal type is. This is
used in conjunction with the termcap(5) facility to figure out
how to do bold characters, reverse video, underlining, or other
neat stuff on your terminal.
EDITOR This variable names the editor mailto will use when you ask
(with ~e) to edit the message you are composing.
VISUAL This variable names the visual editor mailto will use when you
ask (with ~v) to edit the message you are composing.
SEE ALSOmetamail(1), mmencode(1), richtext(1), audiocompose(1), getfilename(1),
mailto-hebrew(1), splitmail(1), shownonasci(1)BUGS
Currently, fgets is used to get each line of input. An intelligent
replacement, in which the effects of right-to-left mode, eight-bit-
mode, and the margin- and justification-related commands were immedi‐
ately evident, would be a big improvement.
Although this program was modelled on Berkeley mail, its user interface
is inevitably not identical with that program. The section entitled
"OTHER KNOWN DIFFERENCES FROM BERKELEY MAIL," above, might be consid‐
ered by some to be an extension of this "BUGS" section.
COPYRIGHT
Copyright (c) 1992 Bell Communications Research, Inc. (Bellcore)
Permission to use, copy, modify, and distribute this material for any
purpose and without fee is hereby granted, provided that the above
copyright notice and this permission notice appear in all copies, and
that the name of Bellcore not be used in advertising or publicity per‐
taining to this material without the specific, prior written permission
of an authorized representative of Bellcore. BELLCORE MAKES NO REPRE‐
SENTATIONS ABOUT THE ACCURACY OR SUITABILITY OF THIS MATERIAL FOR ANY
PURPOSE. IT IS PROVIDED "AS IS", WITHOUT ANY EXPRESS OR IMPLIED WAR‐
RANTIES.
AUTHOR
Nathaniel S. Borenstein
Bellcore Prototype Release 1 MAILTO(1)
